Dorothy Love Coates

Dorothy Love Coates (born Dorothy McGriff on January 30, 1928 – died April 9, 2002) was an influential gospel singer who rose to stardom in the 1950s as a member of the Gospel Harmonettes. With her "raggedy" voice and preacher's fire she could outsing the most powerful hard gospel male singers of the era. She was also a notable composer, writing songs such as "You Can't Hurry God (He's Right On Time)", "99 and a Half Won't Do" and "That's Enough".

Coates was born Dorothy McGriff in Birmingham, her early years were hard, although she dismissed them as "the same old thing". Her minister father left the family when she was six, divorcing her mother thereafter. Dorothy began playing piano in the Baptist Church at age ten, then joined her sisters and brother in the McGriff Singers several years later.

Dorothy quit school to work "all the standard Negro jobs" available in Birmingham in the 1940s: scrubbing floors and working behind the counter in laundries and dry cleaners. She began singing with the Gospel Harmonettes—then known as the "Gospel Harmoneers"—in the early 1940s. She married Willie Love of the Fairfield Four, one of the most popular quartets of the early years of gospel, but divorced him shortly thereafter. She subsequently married Carl Coates of the Sensational Nightingales over a decade later.

Gospel Harmonettes

The Harmoneers achieved some fame in an early appearance when the National Baptist Convention came to Birmingham in 1940. Led by Evelyn Starks, an amazing pianist whose style of playing was much imitated, composer and arranger, and featuring Mildred Madison Miller, a mezzo-soprano who had a downhome sound that came to be a symbol of the group, singing as its lead singer, with Odessa Edwards, the clear voiced alto whose sermonettes could create a great deal of fervor at performances known as "catching the ghost", Vera Conner Kolb, the piercing soprano of the group whose high notes came with such ease that Marion Williams and other sopranos of the time period imitated her style, and Willie Mae Brooks Newberry, the group's deep-throated, low-singing anchoring alto, the group had a regular half-hour radio show sponsored by A. G. Gaston, a local businessman and community leader.

Love left the group in 1947 to care for her daughter who was born with cerebral palsy and epilepsy. Meanwhile, the Harmoneers made their first recordings, for RCA in 1949 after appearing on Arthur Godfrey's Talent Scouts television program. Those recordings, while not particularly memorable, are considered a rare jewel nowadays and include the two songs "In the Upper Room" and "Move on Up a little Higher".

Rechristened the "Gospel Harmonettes'" in 1950, and rejoined by Love, they cut their first sides for Specialty Records—"I'm Sealed" and "Get Away Jordan"— in 1951. These recordings were far more successful, and the group had a series of hits in the years that followed before disbanding in 1958.

Dorothy was the driving force behind the group's success, both on record and in person, singing with such spirit that the other members of the group would occasionally have to lead her back to the stage—a device that James Brown copied and made part of his act in the 1960s, but which was wholly genuine in Love's case. She also took over the role, particularly after Odessa Edwards' retirement, of preacher/narrator, directing very pointed criticisms from the stage of the evils she saw in the church and in the world at large.

Civil Rights Movement

During the years of her retirement, from 1959 to 1961, Dorothy Love—now Dorothy Love Coates—became active in the Civil Rights Movement, working with Martin Luther King, Jr. As she was fond of telling church audiences, "The Lord has blessed our going out and our coming in. He's blessed our "sitting in", too." While many other gospel artists were slow to address political issues head-on, Coates spoke out against the Vietnam War, racism and other evils.

Coates was just as plain-spoken when criticizing the exploitative treatment that she and other gospel singers received from gospel promoters, both white and black. She reformed the Harmonettes in 1961 with her sister, Lillian McGriff. Later, when that group disbanded after several years, Coates continued touring with a group known as the Dorothy Love Coates Singers. She recorded, both individually and with her group, on Savoy Records, Vee-Jay Records and Columbia Records in the 1960s and made occasional appearances but no recordings after 1970. She appeared in the films "The Long Walk Home" (1990) and "Beloved" (1998) at the end of her career.

While Coates vigorously rejected all offers to cross over to pop or soul music, a number of artists, including Little Richard, imitated her sanctified singing style. Other secular songwriters drew on her songs for inspiration, sometimes simply taking the title, as in the case of Wilson Pickett's wholly different soul tune "99 and a Half Won't Do", and sometimes adapting both lyrics and title, as in the case of The Supremes's hit "You Can't Hurry Love".

Coates died in Birmingham on April 9, 2002, of heart failure, at the age of 74.

References

• "Dorothy Love Coates." Wikipedia, The Free Encyclopedia. 30 Aug 2006, 09:25 UTC. Wikimedia Foundation, Inc. 10 Sep 2006 [1].
• Heilbut, Tony (1997) The Gospel Sound: Good News and Bad Times. Limelight Editions. ISBN 0-87910-034-6.
• Boyer, Horace Clarence (1995) How Sweet the Sound: The Golden Age of Gospel. Elliott and Clark. ISBN 0-252-06877-7.