Birmingham Mural Project: Difference between revisions

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* [[Michael Mojher]]. ''[[Geo-Chromatic Progress]]'', northeast side of [[22nd Street Viaduct]] over [[Morris Avenue]]
* [[Michael Mojher]]. ''[[Geo-Chromatic Progress]]'', northeast side of [[22nd Street Viaduct]] over [[Morris Avenue]]
* Michael Mojher. ''[[Today to Tonight]]'', [[19th Street North|19th Street]] and [[7th Avenue North]].
* Michael Mojher. ''[[Today to Tonight]]'', [[19th Street North|19th Street]] and [[7th Avenue North]].
* [[Steve Skidmore]]. ''[[22nd Street Viaduct|Untitled]]'', [[22nd Street Viaduct]] near [[1st Avenue North]].
* [[Steve Skidmore]]. ''[[22nd Street Viaduct|Untitled]]'', beneath [[22nd Street Viaduct]] near [[1st Avenue North]].
* Steve Skidmore. ''[[Mural on 21st Street and 7th Avenue North|Untitled]]'', [[21st Street North|21st Street]] and [[7th Avenue North]]. (demolished for [[Birmingham Public Library]])
* Steve Skidmore. ''[[Mural on 21st Street and 7th Avenue North|Untitled]]'', [[21st Street North|21st Street]] and [[7th Avenue North]]. (demolished for [[Birmingham Public Library]])
* [[Joyce Smith]]. ''[[A. G. Gaston Boys' Club|Untitled]]'', [[A. G. Gaston Boys' Club]].
* [[Joyce Smith]]. ''[[A. G. Gaston Boys' Club|Untitled]]'', [[A. G. Gaston Boys' Club]].

Revision as of 15:44, 26 February 2023

The Birmingham Mural Project was a 1978-79 campaign to enliven parts of the downtown area with professionally-painted murals on the sides of existing building walls. The 18-month program was sponsored by the Greater Birmingham Arts Alliance (GBAA) with federal funding from the Comprehensive Employment and Training Act (CETA) which was allocated by the CETA Committee of Birmingham's Mannpower Commission, chaired by David Vann.

Ten artists, eligible because of their employment status, were selected by GBAA and asked to select sites in the downtown area. The GBAA then secured permission to work on the property and the building owners approved design sketches provided by the artists. Because many of the walls selected for improvement were in disrepair, the program funded the tools and materials needed for the artists to remove excess mortar and plaster by chiseling and grinding, to wash away dirt and soot by sand- and water-blasting, and to seal and prime the wall.

Each artist was paid a $10,000 annual salary, with additional funds for scaffolding, tools and materials. Building owners purchased the paint from Indurall at a special discount. Other grants and donations of money and materials supplemented the federal funding.

In all, the project added ten murals to the downtown streetscape and one each in Ensley, North Birmingham and Five Points South. One downtown mural was left unfinished. One of the mural artists subsequently received a private commission for a new mural downtown. Some of the original artists were unable to complete their commissions and were replaced during the course of the program.

The program was not renewed when the original funding period was completed in September 1979 as the entire CETA program, which had been controversial since its start, was drastically downscaled.

Murals

See also

References

  • Long, Laurie K. (1986) "A City With a Face: Street Art in Birmingham." in Ada Long, ed. Birmingham Then and Now. UAB Honors Program.