Lonnie Holley

Lonnie Bradley Holley, sometimes known as The Sand Man (Born February 10, 1950 in Birmingham), is a noted African-American self-taught artist and art educator.

All art is education, to those of us who might understand. All artists should be looked at as workers in a higher sense, they add prosperity to life. ¹

Early life

He was born the 7th of 27 children, and spent part of his childhood at the Industrial School for Negro Children in Mount Meigs before running away to Louisiana where he started working as a short-order cook. Never completing the seventh grade in school, he says he educated himself by reading "National Geographic" magazines.

Holley began his artistic life in 1979 by carving tombstones for his sister's two children who died in a house fire. He used blocks of a soft sandstone-like by-product of metal casting which was discarded in piles by a foundry near his sister's house. He believes that divine intervention led him to the material and inspired his artwork.

Discovery

Inspired to create, Holley made other carvings and assembled them in his yard along with various found objects. In 1981 he brought a few examples of his sandstone carvings to Birmingham Museum of Art durector Richard N. Murray. The BMA displayed some of those pieces immediately and Murray introduced him to the organizers of the 1981 exhibition "More Than Land and Sky: Art from Appalachia" at the Smithsonian American Art Museum. Soon his work was being acquired by other institutions, such as the American Folk Art Museum in New York and the High Museum in Atlanta. His work has also been displayed at the White House.

Holley also became a popular guest at children's art events, bringing blocks of the foundry stone for children to carve. He gets special pleasure from sharing his experience of learning to love oneself through creative activity.

Changes

By the mid-1980s his work had diversified to include paintings and recycled found-object sculptures. His yard and adjacent abandoned lots near his home became an immersive art environment that was celebrated by visitors from the art world, but threatened by vandlas, scrap-metal scavengers and eventually, by the expansion of the Birmingham International Airport. In late 1996 Holley was notified that his hilltop property near the airport would be condemned. He rejected the airport authority's offer to buy the property at the market rate of $14,000, knowing that his site-specific installation had personal and artistic value he demanded $250,000. The dispute went to probate court and in 1997 a settlement was reached and the airport authority paid $165,700 to move Holley's family and work to a larger property in Harpersville.

The appearance of the dreadlocked artist in small-town Harpersville, accompanied with 5 of his 15 children and a truckload of artworks created from trash, did not please his new neighbors. In 1998 shortly after his move to Harpersville, Maurice Garett, (27) of Childersburg fired shots into Holley's home, hitting him in the arm. Later that year he was jailed along with his son, Ezekiel when drugs and stolen property were found at their home during the investigation of an arson and burglary at a golf course. In November 2001, a grass fire destroyed much of the work at his Harpersville home.

Recent exhibitions

Holley's first majar retrospective, Do We Think Too Much? I Don't Think We Can Ever Stop: Lonnie Holley, A Twenty-Five Year Survey, was organized by the Birmingham Museum of Art and travelled in 2003 to the Ikon Gallery in Birmingham, England. The exhibit included one piece from each year of his 25 year artistic output.

Meanwhile, from May 2003 to May 2004, Holley created a "sprawling, sculptural environment" in the lower sculpture garden at the Birmingham Museum of Art as part of their "Perspectives" series of site-specific installations. The creation of the work was documented in the film "The Sandman's Garden" by Arthur Crenshaw.

References

• ^1. Holley, Lonnie (September 1994) "My Name is Lonnie Bradley Holley." The New Art Examiner. 22, pp. 30-31
• Dietz, Andrew (April 1, 2006 ) The Last Folk Hero: A True Story of Race and Art, Power and Profit. Atlanta: Ellis Lane Press. ISBN 0977196801
• Birmingham Museum of Art (August 13, 2004) "Do We Think Too Much? I Don't Think We Can Ever Stop: Lonnie Holley, A Twenty-Five Year Survey" Exhibition announcement. [1] - accessed April 16, 2006. Catalog ISBN 0907594972
• Reeves, Jay (February 8, 1997) "Acclaimed folk artist losing fight against FAA and urban sprawl." Associated Press. [2] - accessed April 16, 2006