Light Overture: Difference between revisions

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(New page: The "'''Light Overture''': A Symphonic Entertainment" is an 8-minute contemporary orchestral piece written by Danish composer Poul Rudens, commissioned by the [[Alabama Symphony Orchestra]...)
 
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==References==
==References==
* Huebner, Michael (November 8, 2006) '''Light' session set for ASO." ''Birmingham News''.
* Huebner, Michael (November 8, 2006) "'Light' session set for ASO." ''Birmingham News''.
* Urquhart, Marietta (February 2007) "Conductor of electricity." ''Birmingham'' Magazine. Vol. 46, No. 2, p. 125-7
* Urquhart, Marietta (February 2007) "Conductor of electricity." ''Birmingham'' Magazine. Vol. 46, No. 2, p. 125-7


[[Category:Alabama Sympony Orchestra]]
[[Category:Alabama Symphony Orchestra]]
[[Category:2006 works]]
[[Category:2006 works]]

Revision as of 16:35, 3 March 2007

The "Light Overture: A Symphonic Entertainment" is an 8-minute contemporary orchestral piece written by Danish composer Poul Rudens, commissioned by the Alabama Symphony Orchestra at the behest of Alabama Power to celebrate their 100th anniversary.

The piece was recorded in the Alys Stephens Center's Jemison Concert Hall on November 8, 2006 with Justin Brown conducting, and had its premiere in front of a live audience at a private concert on December 4 with Christopher Confessore conducting. The piece was then made part of the symphony's "On the Road" series of concerts. The recording was distributed to Alabama Power friends and employees and will be included in a July 2007 release of Ruden's works by New York-based Bridge Records. The score is published by Edition Wilhelm Hanson.

The overture plays on both meanings of "light", as illumination and a festive mood. The five "chapters" of the formally-composed piece are denoted "quick and light", "sweeping", "swinging", "broad", and "stretto (faster)"

References

  • Huebner, Michael (November 8, 2006) "'Light' session set for ASO." Birmingham News.
  • Urquhart, Marietta (February 2007) "Conductor of electricity." Birmingham Magazine. Vol. 46, No. 2, p. 125-7