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:''This article is about the 1925 building. For the 1990 building, see [[Alabama Power Company Headquarters Complex]].''
:''This article is about the 1925 building. For the 1990 building, see [[Alabama Power Company Headquarters Complex]].''
[[Image:Alabama Power Building.jpg|right|thumb|275px|The Alabama Power Building, c. 1927]]
[[Image:Alabama Power Building.jpg|right|thumb|375px|The Alabama Power Building, c. 1927]]
The '''Alabama Power Building''' is a 217-foot tall Art Deco-style skyscraper, built in [[1925]] as the headquarters office of the [[Alabama Power Company]], on the northwest corner of [[18th Street North|18th Street]] and [[6th Avenue North]]. It was designed by [[Warren, Knight and Davis]], with the participation of an associated architect, [[Sigmund Nesselroth]], who was employed at the insistence of the Alabama Power's general manager, [[Eugene Yates]].
The '''Alabama Power Building''' is a 217-foot tall, 16-story Art Deco-style skyscraper, built in [[1925]] as the headquarters office of the [[Alabama Power Company]], on the northwest corner of [[18th Street North|18th Street]] and [[6th Avenue North]]. It was designed by [[Warren, Knight and Davis]], with the participation of an associated architect, [[Sigmund Nesselroth]], who was employed at the insistence of the Alabama Power's general manager, [[Eugene Yates]].


After reviewing Nesselroth's sketches prepared by Nesselroth and the utility's engineers, [[William Warren]] and his partners made numerous changes to open up floor space by moving the elevator core to the back of the building, and to improve the proportions and massing of the exterior. The resulting facades, simplified in ornamentation and strongly expressive of verticality, were part of a new, non-historicized stylistic treatment becoming popular across the United States. Some have credited Nesselroth for injecting the new style into his association with Warren, Knight & Davis, but evidence suggests that the trend, already employed in the [[American Life Insurance Building]], was not entirely new to [[Birmingham]].
After reviewing sketches prepared by Nesselroth and the utility's engineers, [[William Warren]] and his partners made numerous changes to open up floor space by moving the elevator core to the back of the building, and to improve the proportions and massing of the exterior. The resulting facades, simplified in ornamentation and strongly expressive of verticality, were part of a new, non-historicized stylistic treatment becoming popular across the United States. Some have credited Nesselroth for injecting the new style into his association with Warren, Knight & Davis, but evidence suggests that the trend, already employed in the [[American Life Insurance Building]], was not entirely new to [[Birmingham]].


The limestone entrance portal, facing 18th Street, is more heavily ornamented, with stylized Corinthian capitals on the supporting piers, carved stone figures in relief, and Classically-inspired bundled fasces sharing space with Gothic-inspired rosettes. The stone carvings were executed ''in situ'' by New York architect Edward Field Sanford, Jr.
The limestone entrance portal, facing 18th Street, is more heavily ornamented, with stylized Corinthian capitals on the supporting piers, carved stone figures in relief, and Classically-inspired bundled fasces sharing space with Gothic-inspired rosettes. The stone carvings were executed ''in situ'' by New York architect Edward Field Sanford, Jr.
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The tower's shaft is of undecorated buff-colored brick. The piers to either side of the corner towers project slightly and are spanned by brick spandrels, creating a heavier mass than the central section, where the inset spandrels are black-glazed terra cotta, uniting with the windows themselves in strong, vertical bands between the brick pilasters. The corner piers are capped with limestone and a checkerboard of red terra cotta tile one floor shy of the central tower's thrust. The four-bay central tower erupts in a geometric design of brick, stone and tile lozenges and squares. A more finely-detailed penthouse supports a steep hipped roof of Spanish tile with copper hip and ridge caps, crowned by the statue of [[Electra]] (a bronze casting covered in gold leaf, also by Sanford).
The tower's shaft is of undecorated buff-colored brick. The piers to either side of the corner towers project slightly and are spanned by brick spandrels, creating a heavier mass than the central section, where the inset spandrels are black-glazed terra cotta, uniting with the windows themselves in strong, vertical bands between the brick pilasters. The corner piers are capped with limestone and a checkerboard of red terra cotta tile one floor shy of the central tower's thrust. The four-bay central tower erupts in a geometric design of brick, stone and tile lozenges and squares. A more finely-detailed penthouse supports a steep hipped roof of Spanish tile with copper hip and ridge caps, crowned by the statue of [[Electra]] (a bronze casting covered in gold leaf, also by Sanford).


In the 1950s, the south facade of the building was decorated with a large [[Birmingham Christmas trees|Christmas tree]] made from strings of electric lights.
In the 1950s, the south facade of the building was decorated with a large [[Birmingham Christmas trees|Christmas tree]] made from strings of electric lights. In [[1958]] an [[1958 Alabama Power Building addition|8-story modern-style addition]] was made to the north side of the building.


The building was restored in [[1988]], and a massive [[Alabama Power Company Headquarters Complex]] was added onto the north side, with a glass atrium in between, in [[1990]].
The original Alabama Power Building was restored in [[1988]]. The 1958 building was demolished and a massive [[Alabama Power Company Headquarters Complex]] was added onto the north side, with a glass atrium in between, in [[1990]].


[[Image:Power Light Heat.jpg|center|thumb|575px|Relief carvings representing "Power", "Light" and "Heat" above the entrance to the building.]]
==Gallery==
<gallery>
Image:Power Light Heat.jpg|Relief carvings representing "Power", "Light" and "Heat" above the entrance to the building
File:Electra in studio.jpg|The "Electra" statue in the sculptor's studio
File:1950s Ala Power Bldg Christmas tree.jpg|A Christmas tree design made from lit offices in the 1950s
File:1958 Alabama Power Building addition.jpg|1958 Alabama Power Building addition
</gallery>


==References==
==References==
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* Atkins, Leah Rawls (2006) ''Developed for the Service of Alabama: The Centennial History of the Alabama Power Company, 1906-2006''. Birmingham: Alabama Power Company ISBN 9780978675301
* Atkins, Leah Rawls (2006) ''Developed for the Service of Alabama: The Centennial History of the Alabama Power Company, 1906-2006''. Birmingham: Alabama Power Company ISBN 9780978675301


[[Category:Alabama Power]]
[[Category:Alabama Power Building|*]]
[[Category:Alabama Power|Building]]
[[Category:1925 buildings]]
[[Category:1925 buildings]]
[[Category:Warren Knight & Davis buildings]]
[[Category:Warren Knight & Davis buildings]]
[[Category:Tall buildings|12]]
[[Category:Tall buildings|12]]
[[Category:6th Avenue North]]
[[Category:18th Street North]]

Latest revision as of 11:42, 26 February 2023

This article is about the 1925 building. For the 1990 building, see Alabama Power Company Headquarters Complex.
The Alabama Power Building, c. 1927

The Alabama Power Building is a 217-foot tall, 16-story Art Deco-style skyscraper, built in 1925 as the headquarters office of the Alabama Power Company, on the northwest corner of 18th Street and 6th Avenue North. It was designed by Warren, Knight and Davis, with the participation of an associated architect, Sigmund Nesselroth, who was employed at the insistence of the Alabama Power's general manager, Eugene Yates.

After reviewing sketches prepared by Nesselroth and the utility's engineers, William Warren and his partners made numerous changes to open up floor space by moving the elevator core to the back of the building, and to improve the proportions and massing of the exterior. The resulting facades, simplified in ornamentation and strongly expressive of verticality, were part of a new, non-historicized stylistic treatment becoming popular across the United States. Some have credited Nesselroth for injecting the new style into his association with Warren, Knight & Davis, but evidence suggests that the trend, already employed in the American Life Insurance Building, was not entirely new to Birmingham.

The limestone entrance portal, facing 18th Street, is more heavily ornamented, with stylized Corinthian capitals on the supporting piers, carved stone figures in relief, and Classically-inspired bundled fasces sharing space with Gothic-inspired rosettes. The stone carvings were executed in situ by New York architect Edward Field Sanford, Jr.

The tower's shaft is of undecorated buff-colored brick. The piers to either side of the corner towers project slightly and are spanned by brick spandrels, creating a heavier mass than the central section, where the inset spandrels are black-glazed terra cotta, uniting with the windows themselves in strong, vertical bands between the brick pilasters. The corner piers are capped with limestone and a checkerboard of red terra cotta tile one floor shy of the central tower's thrust. The four-bay central tower erupts in a geometric design of brick, stone and tile lozenges and squares. A more finely-detailed penthouse supports a steep hipped roof of Spanish tile with copper hip and ridge caps, crowned by the statue of Electra (a bronze casting covered in gold leaf, also by Sanford).

In the 1950s, the south facade of the building was decorated with a large Christmas tree made from strings of electric lights. In 1958 an 8-story modern-style addition was made to the north side of the building.

The original Alabama Power Building was restored in 1988. The 1958 building was demolished and a massive Alabama Power Company Headquarters Complex was added onto the north side, with a glass atrium in between, in 1990.

Gallery

References

  • Dalrymple, Dolly (January 8, 1928) "Dolly Finds Skyscrapers an Opportunity to Study Art in Color." The Birmingham Age-Herald
  • "In Celebration of the Restoration of Alabama Power Company's 1925 Tower and Completion of the Headquarters Complex: A History of the Alabama Power Company Building" (1988) Alabama Power Company (pamphlet)
  • Osbond, Shirley (1998) "Health, Wealth, and Power: Emerging Art Deco Architecture and the Celebration of Modernity." M.A. thesis. University of Alabama at Birmingham, pp. 90-105
  • Schnorrenberg, John M. (1999) Remembered Past, Discovered Future: The Alabama Architecture of Warren Knight & Davis, 1906-1961. Birmingham: Birmingham Museum of Art. ISBN 0931394430
  • Noles, James L. Jr (2001) "Alabama Power Company. Images of America Series. Mount Pleasant, South Carolina: Arcadia Press. ISBN 9780738513546
  • Atkins, Leah Rawls (2006) Developed for the Service of Alabama: The Centennial History of the Alabama Power Company, 1906-2006. Birmingham: Alabama Power Company ISBN 9780978675301