Temple Theater: Difference between revisions
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On [[December 6]], [[1950]] the Temple stage hosted the debut performance of "Born Yesterday" by [[James Hatcher]]'s [[Town & Gown Theater]] company, with Tommy Dix starring. Metropolitan opera basso Jerome Hines gave the theater's final performance on [[March 31]], [[1970]]. | On [[December 6]], [[1950]] the Temple stage hosted the debut performance of "Born Yesterday" by [[James Hatcher]]'s [[Town & Gown Theater]] company, with Tommy Dix starring. Metropolitan opera basso Jerome Hines gave the theater's final performance on [[March 31]], [[1970]]. | ||
A touring production of "South Pacific" brought controversy when city leaders learned that some members of the chorus were African American. A performance would violate the city's [[segregation laws]]. Challenged by Commissioner of Public Safety [[Bull Connor]], the producers refused to change the cast, offering instead to cancel the engagement all together. After consideration, Connor determined that the performers in question were Cubans rather than "Negroes", and permitted the show to go on. | |||
[[Tallulah Bankhead]] appeared several times on the Temple stage in productions ranging from Lillian Hellman's "The Little Foxes" to Noel Coward's "Private Lives". | |||
The building was demolished in September 1970 by the [[First National Bank of Birmingham]] and used for parking until the construction of the [[AmSouth-Harbert Plaza]]. The lobby chandelier was reinstalled at the [[Leslie S. Wright Performing Arts Center]] at [[Samford University]]. | The building was demolished in September 1970 by the [[First National Bank of Birmingham]] and used for parking until the construction of the [[AmSouth-Harbert Plaza]]. The lobby chandelier was reinstalled at the [[Leslie S. Wright Performing Arts Center]] at [[Samford University]]. | ||
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==References== | ==References== | ||
* Le Grand, Duard (April 4, 1970) "Two questions about Temple won't be answered." {{BPH}}, reprinted in {{LaMonte-1978}} | |||
* "[http://www.birminghamrewound.com/features/TempleTheater(9-70).jpg Rubble is all that is left of old scenes of theater grandeur]" (September 1970) ''Birmingham News'' - via [[Birmingham Rewound]] | * "[http://www.birminghamrewound.com/features/TempleTheater(9-70).jpg Rubble is all that is left of old scenes of theater grandeur]" (September 1970) ''Birmingham News'' - via [[Birmingham Rewound]] | ||
* {{White-1977}} | * {{White-1977}} | ||
Revision as of 18:38, 24 January 2015
Loew's Temple Theater was a vaudeville and motion picture theater located inside the Downtown Masonic Temple on the Southeast corner of 19th Street and 6th Avenue North with its entrance at 517 19th Street North.
The 3,100-seat theater, operated by the Loew's chain, opened on April 27, 1925 and featured vaudeville as well as large meetings, "legitimate" theater, and concerts. Motion pictures were screened there beginning in 1928. The Minneapolis Symphony performed there in 1933, with the performance recorded for broadcast. On February 12, 1944 Bela Lugosi appeared on the stage for two performances of "Arsenic and Old Lace".
On December 6, 1950 the Temple stage hosted the debut performance of "Born Yesterday" by James Hatcher's Town & Gown Theater company, with Tommy Dix starring. Metropolitan opera basso Jerome Hines gave the theater's final performance on March 31, 1970.
A touring production of "South Pacific" brought controversy when city leaders learned that some members of the chorus were African American. A performance would violate the city's segregation laws. Challenged by Commissioner of Public Safety Bull Connor, the producers refused to change the cast, offering instead to cancel the engagement all together. After consideration, Connor determined that the performers in question were Cubans rather than "Negroes", and permitted the show to go on.
Tallulah Bankhead appeared several times on the Temple stage in productions ranging from Lillian Hellman's "The Little Foxes" to Noel Coward's "Private Lives".
The building was demolished in September 1970 by the First National Bank of Birmingham and used for parking until the construction of the AmSouth-Harbert Plaza. The lobby chandelier was reinstalled at the Leslie S. Wright Performing Arts Center at Samford University.
References
- Le Grand, Duard (April 4, 1970) "Two questions about Temple won't be answered." Birmingham Post-Herald, reprinted in LaMonte, Ruth Bradbury, ed. (1978) A Singular Presence: Duard Le Grand, Newspaperman. Birmingham: Friends of the Birmingham Public Library
- "Rubble is all that is left of old scenes of theater grandeur" (September 1970) Birmingham News - via Birmingham Rewound
- White, Marjorie Longenecker (1977) Downtown Birmingham: Architectural and Historical Walking Tour Guide. Birmingham: Birmingham Historical Society.
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