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The '''''Lingodhbhava murti''''', literally a ''' representation of emergence of the Linga''', or '''''Shiva Manifesting within the Linga of Flames''''' is a 45 inch-tall, 16 inch-wide granite sculpture made around 1150 C.E. during the Chola dynasty, in Tamil Nadu in south India.
The '''''Lingodhbhava murti''''', literally a ''' representation of emergence of the Linga''', or '''''Shiva Manifesting within the Linga of Flames''''' is a 45 inch-tall, 16 inch-wide granite sculpture made around 1150 C.E. during the Chola dynasty, in Tamil Nadu in south India.


The sculpture depicts a contest between the Hindu gods Shiva, Brahma and Vishnu. The large figure of Shiva is seen emerging from a pillar of fire while Brahma, taking the form of a goose, attempts to reach the top of the fire and Vishnu, in the form of the boar Varaha, roots for its base. Unsuccessful in their attempts to reach the ends of the fire pillar, Brahma and Vishnu were humbled and bowed to Shiva. Depictions of the scene, which is described in Hindu purana texts from the 8th century C.E., are typically found behind the primary shrine image of Vishnu in the first precinct of South Indian temples.
The sculpture depicts a contest between the Hindu gods Shiva, Brahma and Vishnu. The large four-armed figure of Shiva is seen emerging from a pillar of fire while Brahma, taking the form of a ''hamsa'' (swan), attempts to reach the top of the fire and Vishnu, in the form of the boar ''Varaha'', roots for its base. Unsuccessful in their attempts to reach the ends of the fire pillar, Brahma and Vishnu were humbled and bowed to Shiva. Depictions of the scene, which is described in Hindu purana texts from the 8th century C.E., are typically found behind the primary shrine image of Vishnu in the first precinct of South Indian temples.


The sculpture was purchased from Art of the Past gallery in New York City by the [[Art Fund of Birmingham]], using funds donated by the estate of [[Alston Callahan|Alston]] and [[Eivor Callahan]] in [[2008]]. It was placed on indefinite loan to the [[Birmingham Museum of Art]], where it was displayed as part of the museum's [[Birmingham Museum of Art Asian collection|Asian collection]].
The sculpture was purchased from Art of the Past gallery in New York City by the [[Art Fund of Birmingham]], using funds donated by the estate of [[Alston Callahan|Alston]] and [[Eivor Callahan]] in [[2008]]. It was placed on indefinite loan to the [[Birmingham Museum of Art]], where it was displayed as part of the museum's [[Birmingham Museum of Art Asian collection|Asian collection]].

Revision as of 10:16, 7 September 2018

The Lingodhbhava murti, literally a representation of emergence of the Linga, or Shiva Manifesting within the Linga of Flames is a 45 inch-tall, 16 inch-wide granite sculpture made around 1150 C.E. during the Chola dynasty, in Tamil Nadu in south India.

The sculpture depicts a contest between the Hindu gods Shiva, Brahma and Vishnu. The large four-armed figure of Shiva is seen emerging from a pillar of fire while Brahma, taking the form of a hamsa (swan), attempts to reach the top of the fire and Vishnu, in the form of the boar Varaha, roots for its base. Unsuccessful in their attempts to reach the ends of the fire pillar, Brahma and Vishnu were humbled and bowed to Shiva. Depictions of the scene, which is described in Hindu purana texts from the 8th century C.E., are typically found behind the primary shrine image of Vishnu in the first precinct of South Indian temples.

The sculpture was purchased from Art of the Past gallery in New York City by the Art Fund of Birmingham, using funds donated by the estate of Alston and Eivor Callahan in 2008. It was placed on indefinite loan to the Birmingham Museum of Art, where it was displayed as part of the museum's Asian collection.

In 2011 Subhash Kapoor, owner of Art of the Past, was charged in India with smuggling antiquities which were acquired illegally and falsifying documents in order to be able to sell them, allegedly reaping more than a hundred million dollars. In 2015 the Birmingham Museum of Art was notified by the U.S. Department of Homeland Security that the sculpture was likely removed from India illegally, and began preparing to repatriate it.

The Lingodhbhava murti was removed from exhibit in August 2018 and transported to the U.S. Attorney for the Southern District of New York to be processed as evidence of Kapoor's criminal activities. It was formally presented to the Republic of India at a ceremony in New York on September 4 attended by museum director Graham Boettcher and Indian Consul General Sandeep Chakravorty.

References

External link

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