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[[Image:4th Avenue District sign.jpg|right|175px]]
[[Image:4th Avenue District sign.jpg|right|175px]]
The '''4th Avenue Historic District''' is a historic commercial district stretching along three blocks of [[4th Avenue North]] in downtown [[Birmingham]]. The district is notable as a center for Black-owned businesses which served Black customers during the city's long period of enforced [[segregation]]. Architecturally, the district houses a grouping of notable buildings constructed between [[1908]] and [[1941]].
The '''4th Avenue Historic District''' is a historic commercial district stretching along three blocks of [[4th Avenue North]], from [[15th Street North|15th]] to [[18th Street North|18th Street]] in downtown [[Birmingham]]. The district is notable as a center for Black-owned businesses which served Black customers during the city's long period of enforced [[segregation]]. For a time the area was known pejoratively as "[[Scratch Ankle]]".
 
Architecturally, the district houses a grouping of notable buildings constructed between [[1908]] and [[1935]]. Culturally the district is remembered in story and song - notably in the many [[Octavus Roy Cohen]] stories set in Birmingham's African-American community.


As formalized in the [[National Register of Historic Places]] ([[February 11]], [[1982]]) the 4th Avenue Historic District includes all of 4th Avenue North between [[16th Street North|16th Street]] and [[19th Street North|19th Street]] as well as parts of [[17th Street North]] and [[18th Street North]] between [[3rd Avenue North|3rd]] and 4th Avenues. A historic marker was erected in the district by the city in partnership with [[Urban Impact, Inc]], which coordinates revitalization efforts and special events in the district.
As formalized in the [[National Register of Historic Places]] ([[February 11]], [[1982]]) the 4th Avenue Historic District includes all of 4th Avenue North between [[16th Street North|16th Street]] and [[19th Street North|19th Street]] as well as parts of [[17th Street North]] and [[18th Street North]] between [[3rd Avenue North|3rd]] and 4th Avenues. A historic marker was erected in the district by the city in partnership with [[Urban Impact, Inc]], which coordinates revitalization efforts and special events in the district.


Currently the 4th Avenue Historic District is an important part of Birmingham's [[Civil Rights District]], both as a physical artifact of segregation which aids in understanding the city's racial history, and as a retail and entertainment district serving visitors. The district hosts the annual [[Taste of 4th Avenue Jazz Festival]].
Currently the 4th Avenue Historic District is an important part of Birmingham's [[Civil Rights District]], both as a physical artifact of segregation which aids in understanding the city's racial history, and as a retail and entertainment district serving visitors. The district hosts the annual [[Taste of 4th Avenue Jazz Festival]].
In [[2019]] the 4th Avenue Historic District was selected for planning, organizing and training assistance for economic development offered by [[Main Street Alabama]]. The partnership launched the '''4th Avenue Forward''' program in late [[2020]]. The program includes wayfinding and streetscape improvements, a city-funding façade improvement grant program, and a campaign to promote residential development in the district.


==Notable historic structures==
==Notable historic structures==
* [[Colored Masonic Temple]] ([[1922]])
* [[Colored Masonic Temple]] (1922)
* [[Famous Theatre]] ([[1928]])
* [[Famous Theatre]] (1928)
* [[Carver Theatre]] ([[1941]])
* [[Carver Theatre]] (1935)
* [[Alabama Penny Savings Bank]]/[[Pythian Temple]] ([[1913]])
* [[Alabama Penny Savings Bank]]/[[Pythian Temple]] (1913)


==Other notable landmarks==
==Other notable landmarks==
* [[Eddie Kendrick Memorial Park]]
* [[Cotton Club]], formerly located on 18th Street
* [[Eddie Kendrick Memorial Park]] (former site of [[Brock's Drugs building]] and [[Palm Leaf Hotel]])
* [[Frolic Theatre]]
* [[Green Acres Cafe]]
* [[Green Acres Cafe]]
* [[Miles Lounge]]
* [[Miles Lounge]]
* [[New Deal Barber Shop]]
* [[New Deal Barber Shop]]
* [[New Home Hotel]], formerly located on 18th Street
* [[Little Savoy Cafe]], formerly located at 411 17th Street


==Text of historic marker==
==Text of historic marker==
<blockquote>"Prior to 1900 a “black business district” did not exist in Birmingham. In a pattern characteristic of Southern cities found during Reconstruction, black businesses developed alongside those of whites in many sections of the downtown area. After the turn of the century, Jim Crow laws authorizing the distinct separation of “the races” and subsequent restrictions placed on black firms forced the growing black business community into an area along Third, Fourth, and fifth Avenue North, from 15th to 18th Streets. Segregation and discrimination created a small world in which black enterprise was accepted and to which blacks had open access. This area served as the business, social, and cultural center for blacks with activities similar to those in the predominantly white districts. The businesses located in the area included barber and beauty shops, mortuaries, saloons, restaurants, theaters, photographic studios, cleaners, shoe shine parlors, and motels. These black businesses and their successors continued to do well throughout the 60s. The black business district was not only “alive” during the daylight hours but “thrived” throughout the night. On Friday and Satuday nights, the streets were filled with crowds of people visiting the bars or just out for a stroll. Live entertainment made the district “the place to be.” While most of the theaters provided “movies” the Frolic and Hury Henry had “live” stage shows during the 1930s. Not only did singers and dancers captivate the audiences, but live vaudeville shows came to the area. Bob Williams, owner of “Bob’s Savoy,” a famous night club and restaurant, entertained the elite of the black athletic and entertainment world. After the Civil Rights Struggle, many new doors were opened literally and figuratively to blacks. Many black businesses, especially hotels and cafes, suffered with the end of segregation. Once allowed into white establishments, sadly many balcks did not return to the black-owned businesses. The abandonment of black-owned businesses caused a major economic impact on the area, causing many to do their shopping in malls and other areas."</blockquote>
<blockquote>"Prior to 1900 a “black business district” did not exist in Birmingham. In a pattern characteristic of Southern cities found during Reconstruction, black businesses developed alongside those of whites in many sections of the downtown area. After the turn of the century, Jim Crow laws authorizing the distinct separation of “the races” and subsequent restrictions placed on black firms forced the growing black business community into an area along Third, Fourth, and fifth Avenue North, from 15th to 18th Streets. Segregation and discrimination created a small world in which black enterprise was accepted and to which blacks had open access. This area served as the business, social, and cultural center for blacks with activities similar to those in the predominantly white districts. The businesses located in the area included barber and beauty shops, mortuaries, saloons, restaurants, theaters, photographic studios, cleaners, shoe shine parlors, and motels. These black businesses and their successors continued to do well throughout the 60s. The black business district was not only “alive” during the daylight hours but “thrived” throughout the night. On Friday and Satuday nights, the streets were filled with crowds of people visiting the bars or just out for a stroll. Live entertainment made the district “the place to be.” While most of the theaters provided “movies” the Frolic and Hury Henry had “live” stage shows during the 1930s. Not only did singers and dancers captivate the audiences, but live vaudeville shows came to the area. Bob Williams, owner of “Bob’s Savoy,” a famous night club and restaurant, entertained the elite of the black athletic and entertainment world. After the Civil Rights Struggle, many new doors were opened literally and figuratively to blacks. Many black businesses, especially hotels and cafes, suffered with the end of segregation. Once allowed into white establishments, sadly many balcks did not return to the black-owned businesses. The abandonment of black-owned businesses caused a major economic impact on the area, causing many to do their shopping in malls and other areas."</blockquote>
==References==
* "Birmingham's Eighteenth Street" (August 1937) ''U. S. Steel News''
* Burkhardt, Ann M. (August 1981) "Fourth Avenue Historic District" National Register of Historic Places nomination form - entered February 11, 1982
* Wright, Erica (February 21, 2019) "[http://www.birminghamtimes.com/2019/02/changes-coming-to-the-historic-fourth-ave-business-district-here-are-some Upcoming plans for Fourth Avenue Historic District. Here are some.]" {{BT}}
* Van der Bijl, Hanno (December 18, 2020) "Inside Fourth Avenue Business District's urgent push for revitalization." {{BBJ}}


==External links==
==External links==
* [http://www.nr.nps.gov/writeups/82002041.aa.pdf Fourth Avenue Historic District] write-up at nr.nps.gov
* [http://npgallery.nps.gov/AssetDetail/NRIS/82002041 Fourth Avenue Historic District] at npgallery.nps.gov


[[Category:4th Avenue North]]
[[Category:4th Avenue Historic District|*]]
[[Category:Historic districts]]
[[Category:Birmingham Civil Rights National Monument]]
[[Category:National Register of Historic Places]]

Latest revision as of 11:59, 13 February 2021

4th Avenue District sign.jpg

The 4th Avenue Historic District is a historic commercial district stretching along three blocks of 4th Avenue North, from 15th to 18th Street in downtown Birmingham. The district is notable as a center for Black-owned businesses which served Black customers during the city's long period of enforced segregation. For a time the area was known pejoratively as "Scratch Ankle".

Architecturally, the district houses a grouping of notable buildings constructed between 1908 and 1935. Culturally the district is remembered in story and song - notably in the many Octavus Roy Cohen stories set in Birmingham's African-American community.

As formalized in the National Register of Historic Places (February 11, 1982) the 4th Avenue Historic District includes all of 4th Avenue North between 16th Street and 19th Street as well as parts of 17th Street North and 18th Street North between 3rd and 4th Avenues. A historic marker was erected in the district by the city in partnership with Urban Impact, Inc, which coordinates revitalization efforts and special events in the district.

Currently the 4th Avenue Historic District is an important part of Birmingham's Civil Rights District, both as a physical artifact of segregation which aids in understanding the city's racial history, and as a retail and entertainment district serving visitors. The district hosts the annual Taste of 4th Avenue Jazz Festival.

In 2019 the 4th Avenue Historic District was selected for planning, organizing and training assistance for economic development offered by Main Street Alabama. The partnership launched the 4th Avenue Forward program in late 2020. The program includes wayfinding and streetscape improvements, a city-funding façade improvement grant program, and a campaign to promote residential development in the district.

Notable historic structures

Other notable landmarks

Text of historic marker

"Prior to 1900 a “black business district” did not exist in Birmingham. In a pattern characteristic of Southern cities found during Reconstruction, black businesses developed alongside those of whites in many sections of the downtown area. After the turn of the century, Jim Crow laws authorizing the distinct separation of “the races” and subsequent restrictions placed on black firms forced the growing black business community into an area along Third, Fourth, and fifth Avenue North, from 15th to 18th Streets. Segregation and discrimination created a small world in which black enterprise was accepted and to which blacks had open access. This area served as the business, social, and cultural center for blacks with activities similar to those in the predominantly white districts. The businesses located in the area included barber and beauty shops, mortuaries, saloons, restaurants, theaters, photographic studios, cleaners, shoe shine parlors, and motels. These black businesses and their successors continued to do well throughout the 60s. The black business district was not only “alive” during the daylight hours but “thrived” throughout the night. On Friday and Satuday nights, the streets were filled with crowds of people visiting the bars or just out for a stroll. Live entertainment made the district “the place to be.” While most of the theaters provided “movies” the Frolic and Hury Henry had “live” stage shows during the 1930s. Not only did singers and dancers captivate the audiences, but live vaudeville shows came to the area. Bob Williams, owner of “Bob’s Savoy,” a famous night club and restaurant, entertained the elite of the black athletic and entertainment world. After the Civil Rights Struggle, many new doors were opened literally and figuratively to blacks. Many black businesses, especially hotels and cafes, suffered with the end of segregation. Once allowed into white establishments, sadly many balcks did not return to the black-owned businesses. The abandonment of black-owned businesses caused a major economic impact on the area, causing many to do their shopping in malls and other areas."

References

External links

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